Dear friends,
Did you ever notice the difference in crow caws from season to season? I may be imagining it, but right now they sound gayer, lighter-toned than before. Balmy breezes are blowing over the snow. Willows are glowing yellow against the white land. This is the season I’m calling Winter-spring, because it’s not pre-spring as I have known it. Hip-deep snow still covers the ground, so you have to be alert to subtler cues. Everyone else calls this Mud Season and I guess I’ll acquiesce to that: three-quarters of the roads here are dirt and let me tell you, this season is not subtle. I drove over Tunbridge Hill Monday in a car I ignorantly had just taken (at last) to the car wash. As I veered back and forth, slinging the car away from mud-pits, I felt like a trick driver. One false move and you’re stuck: keep it going, don’t lose momentum… I had the stern concentration necessary to a positive outcome. And there was still ice left, firming up the underneath—true Mud Season had not quite begun. That was the last time I was taking the direct route to Tunbridge for the next month, you can count on it. Too perilous. This season is so vivid around here, songs and jokes abound about it.
A couple of weeks ago we attended an event up in Cabot called the Compost Cabaret, the name striking us as funny. Music, poetry, even a group called Vermont Vaudeville that hashed up the traditional culture pretty hilariously, rewarded our drive up there. We laughed at a lot of good mud jokes in the songs and Mark’s still singing, “there’s a lot of good mud down my road”. It was a packed house amidst the drifts outside, a wooden hall upstairs above some little store in a small town in the Northeast Kingdom. Kids zoomed up and down the periphery, and a group of enterprising little girls dragged me up to the dance floor in front of the stage. It happens that I was willing to dance—I cannot resist African drummers—but I had just sprained my big toe and the only shoes I could get into were Mark’s size-13 boots. So I stood planted to the floor and swayed and wriggled, completely accepted by the group, in my strange get-up. People danced and drank homebrew and cider and cheered each act. Most of the acts were sparkling and perceptive and the crowd enthusiastic—the poet, David Budbill, received as much applause as the comedians (turns out Budbill is familiar to NPR listeners—we found his work enthralling). My biggest motivation to drive an hour for this show was to see what their publicity meant by, “And featuring the Roaring Dandelions!” When announced, the Dandelions ambled on stage and put out fantastic dancing blues.
There was a good cause at the base of it all: the evening was a benefit for the Highfields Compost Institute, which aims to create community food composting programs throughout the state, to return every bit of food waste back to the soil to sustain our agriculture for generations. With the Roaring Dandelions at the Compost Cabaret, we found ourselves in a place where sincere effort for social change is leavened by joie de vivre, because one without the other doesn’t make a good life.
Another time, I’ll tell you more about the agricultural scene up here. It is, as they say, vibrant.
With love, Josie